Africanizing classical European playwrights (Shakespeare and Molière)

Author: 
Lay, Maëline Le
Publisher: 
Cambridge University Press
Date published: 
2018
Record type: 
Journal Title: 
Bulletin of the school of Oriental and African studies
Source: 
Bulletin of the school of Oriental and African Studies, Vol. 81, N0. 3, February 2018 pp. 493-512
Abstract: 

This article analyses Shakespeare and Molière's enduring appeal in various African countries and the diversity of their plays' adaptations. The starting point is the discrepancy between the two playwrights, Shakespeare in Africa being an artistic phenomenon (a controversial one in some quarters), while the adaptation of Molière remains mainly the domain of school curricula. This article will first provide a historical overview of activities related to the introduction of Shakespeare and Molière's works in Africa. Second, it will set out to analyse the varied adaptation and "Africanization" of both playwrights' work. It will shed light on the political and scholarly disputes over the incorporation of these authors in school curricula after independence and examine the ways in which these classical European texts were domesticated in Africa.

Language: 

CITATION: Lay, Maëline Le. Africanizing classical European playwrights (Shakespeare and Molière) . : Cambridge University Press , 2018. Bulletin of the school of Oriental and African Studies, Vol. 81, N0. 3, February 2018 pp. 493-512 - Available at: http://library.africa-union.org/africanizing-classical-european-playwrights-shakespeare-and-molière-0

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